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Holy Smoookes

Illustrations

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Update | Summer's Coming

A few updates from me lately:

  • I’ve illustrated a new book for Orca Books, it hasn’t been officially announced so I’m keeping that information under wraps. Following this, I’ll be taking a bit of a break from children’s picture book projects for the summer to focus on family times.

  • I’ll be returning to a Tsilhqot’in research project with Sech'iziqi Arts and Culture Society, founded by Helen Haig-Brown. I started researching for this group in 2021 but haven’t been a part of the project these last few years. I’m really excited about the advancements that have occurred since then. Apparently, I’ll be the dedicated community “librarian” for Teit’s research on Tsilhqot’in people. I’m not exactly sure how that will translate to embodying information/knowledge but it is super interesting to reflect on.

  • My fastpitch team, East Van Crows, is heading into tournament season with one this weekend and another in July. It’s been so fun getting back on the field. Last year, I returned to playing ball after quite a few years of not playing. It took a season to shake the rust off and this year, I’m much more confident at bat and in the field.

  • I’m really glad to be taking the summer off from big project work. It will be good to have more time to relax and focus on the lighter things in life. Swimming at outdoor pools, hopping waves with Izzy at the ocean, building campfires on warm nights, and meeting up with friends at ball parks across the city.

Keep well and keep on.

Monday 05.26.25
Posted by Karlene Harvey
 

Lost in thought

My daughter has my 1,000 yard stare.

It’s a stare that gazes out into the space ahead, it wanders through time and it questions what the day will look like and the various experiences it will bring. It frequents the morning, the liminal space after waking up before one feels actually ready for the day.

When I was younger, I’d often chew toast while staring at the mist rising from our backyard. Sunlight filtering through the damp air, I’d lose myself in potential conversations I’d have to navigate or various questions that might be directed my way. It always bothered my mother. “What’s the matter?”

That stare represented a beautiful moment that occurs in the quiet of a day where one’s mind is not filled with to-do lists and instructed directions in class, or at work, or in the logistics of family structure.

“What are you thinking about?” I ask my kid, when I catch her softened gaze. She continues to stare onward.

Earlier this year, I told my partner, “Our baby has a busy mind.”

She thinks a lot, I catch her in thought. She comes up with questions that seem random until you figure out her imagination led her there during a quiet car ride.

“She’s like you,” he says back.

He’s correct. I frequently catch my partner off guard with questions based on previous moments that occurred, providing zero context to help him understand how my thoughts got there. I forget that he hasn’t time-travelled to past moments with me, exploring social facets that I felt required more reflection. It’s now a running joke between us. “Sorry, I forget that you’re not inside my mind, sometimes.”

When I first met him, I explained to him that I have a rich interior life. And that at times those closest to me weren’t always along for the ride. For a long time my sense of identity, both as an Indigenous and queer person, existed primarily in my thoughts. I mulled over who I am through memories and wonderings — connecting them to my relatives and my ancestral history; through clumsy encounters and friendships — rifling amidst the curious ideas that meandered through my very being. I was very much in community but how I understood myself in conjunction with it took a lot of personal bandwidth in my thoughts. As I grew older, I told him I sometimes get scared that I’m forgetting to catch people up. That people don’t fully see aspects of myself that I’ve protected over time, the parts that are really important and special to me.

Sometimes, when we don’t feel free to fully be ourselves we run risk of segmenting our identities into palatable versions of ourselves. My thoughts absorb every aspect of myself and webs meaning that doesn’t necessarily translate to tangible representations that others can read clearly. Instead, each loved one in my life experiences a curated version of me that’s mostly true but also omits aspects of myself that deserve to be visible, brave, spoken and heard.

Lost in thought, I sometimes take the time to write about them. In the past, I crafted tweets that cryptically shared glimpses of my thoughts. I wrote poetic captions that I didn’t expect people to understand. Buried my words on social media posts that were sandwiched between meme’s or aesthetically pleasing photos. Many of us do this. We code our identity into digital ephemera that we upload to followers that might not ever really know us.

These days, I’m more intentional about how I lose myself in thoughts. I journal for myself which I sometimes share with my partner or my close friends. I pull back from the dopamine hit of posting to many and instead, I lean on the few. I share as a conversation, as a gentle will to want to understand those I know and love better.

Lately, I find myself lost in thought but I’m not looking for answers. I’m not imagining best-case-scenario’s or potential dialogue I’ll have throughout my day. I let myself drift and I think of my child. I think about her running through a field peppered with buttercups and oxeye daisies. I think of how we catch ourselves in laughing fits and how she turns towards me to laugh smile to smile, against my face so our teeth almost touch. I think of all the songs she sings off-key, the ones she makes up the melody for.

When I see her stare off, I cuddle in next to her. I lean near, touch her cheek. I hope her thoughts are curious and silly. Inquisitive and reflective. I wish on a million stars for her to share them with me when she gets older.

The magic of those liminal spaces where one stares off into a space beyond our physical environment is so sacred. It’s a place we can live beyond what those see of us and expect of us. It’s a world we dream that allows us to feel free in who we are and reflects on how we can become that person actualized.

And where ever my daughter is going with her thoughts, I whole heartedly want her to know that I’ll come, too. I’ll meet her there.

Monday 05.19.25
Posted by Karlene Harvey
 

Recently

My cat died. He was one of two kittens that I brought into my life 11 years ago.

The grief of this small animal leaving my life has been overwhelming at times. I knew it would be hard, I’ve stood by friends who have grieved their animals passing on. Sending heart emojis and giving hugs. But all of the heartfelt messages I could craft up can never quite convey the immense feeling of loss until you truly go through it yourself.

Grief is a curious thing, it’s not just the specifics of who someone has lost but the existential wondering that latches itself to sadness. Questions percolate upwards like, what does it mean to live in this world? And, what happens when we are no longer here? Is there something past what we can see, or hear, or feel?

Growing up, death has always been woven into my life even in my early years as a child.

Sometimes it was offered as an empty threat from my exhausted mother, “Oh my god, I just want to DIE!” Which provided her a moment of peace as my siblings and I would finally quiet down and solemnly imagine a life without her.

The passing of countless distant family members whose funerals I attended (All ndn funerals which took me until my teens to learn these were very different than white people funerals).

Driving in the minivan with my family when my mom learned our grandfather passed in a car accident. Grasping at words to comfort her only for my mom to exclaim, “He wasn’t that old, Karlene!” In retrospect, that was true. But my 13-year old self was at a loss of what to say and regurgitating sentimental statements learned from TV was my only knowledge base.

As a teenager, seeing my father walk away from us down the hallway in our childhood home and watching him truly weep when his older brother Jim had unexpectedly passed from a heart attack. Feeling a surge of fear that my father had experienced a sort of sorrow that he wouldn’t normally share with us.

Coming home from school in grade one to tell my mother that our neighbour friend’s father had died of a heart attack. My mother collapsing in the kitchen crying and me finally realizing there was a finality to the word “die” and “death.” That it wasn’t just an exasperated expression or a 2-dimensional threat in early 90s cartoons. It meant someone was really gone forever.

Following the death of my friend’s dad, I began experiencing nightmares and an onslaught of fear at bedtime. I’d cry inconsolably. My older sister would relate to me when we were older, “All I could hear was dad telling you, ‘it’s okay, we are always going to be here’.”

No one in my family connected the dots that my sudden fear of losing my loved ones was the psychological aftermath of my friend’s dad passing away.

The death of my friend’s dad changed our day to day. I played with her multiple times a week and nearly daily in the summertime. Our fathers would often chat when it was time for us to go home for dinner. Laughing while leaning on the fence that divided our properties. Likely smoking cigarettes, puffing outwards to punctuate sentences. My friend and I loved these moments because it meant 10 more minutes of playtime before heading inside.

But afterwards, we didn’t hang out together as much. My friend’s mother turned inward with grief, rarely leaving her house. Weeds overtook the spot near the fence that we climbed over to reach each other’s houses. We changed schools a year or so later and I stopped playing with her entirely.

I was sent to a Catholic school because my mom was sick of me crying myself to sleep wondering about death. She decided that I needed to learn about god. Nothing like a nice little tale about heaven to console a small child’s imagination. This is a different story to tell but it’s safe to disclose I didn’t end up becoming a model Catholic student and I am, for better or worse, an atheist as a result.

Becoming an atheist in my early teens felt rebellious. It filled me with a sense of control over the “what if’s.” I think it scared my parents a bit, my mother is a pseudo Christian due to residential school but with an entirely absent track record at church. And my dad is agnostic. I once told a professor during my master’s program that I’m an atheist. She tried to correct me by saying that I meant agnostic. I knew I wasn’t agnostic but I let it slide in this exchange. Many Indigenous people are agnostic and I suppose they have a better sense of spirituality than I do but it’s wrong to think all Indigenous people think the same way. I’ve had Indigenous people judge me for my lack of spirituality which is more an issue they need to deal with than something that I feel I must respond to. We are all on a journey but it doesn’t mean we’ll adhere to the exact same philosophies or perspectives and it’s not right to turn your back on Indigenous people who think differently from you. As much as I wish I could imagine something else past this physical world, I just can’t find peace or comfort in convincing myself that it exists in the way humans have often imagined it to be.

My cat died from a blood clot condition that paralyzes their back legs. It happens randomly and suddenly and results in excruciating pain. It eventually shuts down the lower half of their body due to the lack of blood circulation and it is fatal. Our vet said in his 30 years of experience, he has never seen a successful surgery. And when the surgery is successful, the cat still deals with pain, they become paraplegic, requires pain relief medication and they pass within a year or so of treatment. We made the choice for compassionate euthanasia.

I have often imagined the pain and grief I would experience with my cats passing on. My current partner has commented on how much death consumes my thoughts and I don’t know how normal it is to consider the sadness of loss when things are good and relatively happy in one’s life. Sometimes, I think it’s a way of processing grief while still living, and to truly acknowledge how much you care for someone before it’s too late. Other times, it feels insane to remember breaking down in hysterical tears when my cat was only five years old, imagining my life without them in it.

But I haven’t reacted this way with just animals, I’ve done this with people, too. I’m not sure if it’s a way to feel “in control” of loss. I’m not sure if it’s actually useful to think of death amidst the good times.

In my early thirties, I had newly broken out of a long term relationship and I was going out with friends a lot. We were regularly partying at a punk rock bar, which sold hot dogs and cheap beer, and bicycling across the city on a regular basis. After feeling trapped in a relationship that I wasn’t happy in, I felt a youthful joy that reminded me of being a kid with a carefree summer. I remember one night as the sun was going down, we were ordering another round of drinks, and I looked at my friends and said, “I know this won’t last forever but oh my god these are fun times.”

I knew it couldn’t last forever because it’s not really something that can last forever. We get older, life moves on, we enjoy different things. In the twilight glow of a hot summer night, I smiled while also feeling the loss of these moments slipping away. Everything becoming a memory while simultaneously living in it.

My cat is gone and it’s not the big, joyful moments that I miss but the quiet ones. It’s the way he’d time his steps with mine up the stairs, often tripping me in the process. It’s him sitting on the ledge near the microwave quietly watching me cook, waiting for dropped food that appealed to him (cucumber or zucchini and blueberries). It’s his ceaseless yapping at me for attention, or his tiny mews for cuddles when he was feeling kitten-ish. It’s his claws that were much too sharp, that he’d never let me clip, digging into my leg while he purred. His annoying habit of trying to run outside the front door every time we came home.

I miss him. He was a shadow to me, a small guardian. Many times I’d share with my partner, I don’t think reincarnation exists but if it does then this cat has definitely lived on this earth before. Have you ever had an animal content to stare into your eyes for minutes on end? It’s crazy feeling.

When they sedated him, before the euthanasia, I kneeled on the floor and stared into his eyes. Holding his paw and petting his head. He was scared but the medication helped him not feel pain. He stared back at me intently, my eyes filled with tears whispering everything in my heart to him.

Then he was gone. His heart stopped. That was that.

I had a dark spell after his death, wondering what the purpose of this life was. Realizing he’s gone and never coming back. The finality of it all. I wondered about myself and my partner and my child. What world do we live in and what’s the purpose of all of this nonsense? Why did the universe allow for this planet to create life like this?

I don’t have any answers. I don’t believe in a higher being. I cried wishing to believe in something but no matter how hard I tried, I know that type of spirituality is not for me.

I am wading my way through grief and can get through days without crying anymore. But I still don’t know how to make sense of loss. I phoned my parents one night and my dad said, there’s something to learn from all of this, like it or not, it is a part of life. And you will need to be ready for more loss down the road.

I’m not an idiot, I know what he was saying. My dad is near his mid-70s. I’m 40. This next decade will likely be filled with some of the greatest loss of my lifetime. People have sold the idea of 40s being great because societal perception of aging has shifted but that doesn’t change the fact that this is a crucial decade of loss for many.

I told my dad, I know there’s a lesson here. I’m just not ready to receive it, not yet.

. . . . .

Outside my window, it’s springtime in a wet Vancouver. The trees are exploding with leaves. Flowers are stretching open and buds are growing stronger.

My child likes to hold her face close to mine when she falls asleep sometimes. I’ll close my eyes to encourage her to do the same and when I open them, her grinning face looks back at me in the dark. She’s supposed to be asleep but I decide to laugh which makes her laugh. What’s another five minutes, I think. What’s another five minutes when I could spend it laughing with her instead.

I’m driving in my neighbourhood trying not to think of the bad times. A driver gives me the go-ahead to turn left and I wave and smile at him through the tears. He smiles back. Tulips on my street are getting so big, they are about to bow over. The bulbs stay under ground and when blossoms fall and the leaves wilt, everyone knows they’ll be back next year.

. . . . . .

A couple of day’s ago, I dreamt of my cat for the first time since he passed. He came to the front door and I let him in. He had that familiar white heart patch on his back. “I knew you’d come back! I knew you’d be okay!” He meowed and I hugged him but somehow in my dream, I remembered he couldn’t come back. The cat in my arms then transformed into another cat and then it disappeared.

I told my partner about it when I woke up.

“I knew he’d visit you in your dreams! What do you think it means?”

“Nothing, I don’t know. I don’t really know what it could mean.”

I don’t want a nicely tied up ending. When people help those with grief they often feel a loss of words, “I am so sorry, I don’t know what to say.”

It’s okay. It’s okay to not have the words. It’s okay to not know. It’s okay.

. . . . . .

There is a lesson here, but I’m not ready to receive it. Not yet.

Wednesday 05.07.25
Posted by Karlene Harvey
 

The Search for the Perfect Breakfast Sandwich

Friday 01.31.25
Posted by Karlene Harvey
 

New Winter

Frost is an underrated aspect of winter.

Friday 01.31.25
Posted by Karlene Harvey
 

Feeling Alive in 2025

I often debate whether I want to create resolutions because as many people feel, it can seem like it’s setting one up for failure. However, I do find I need to “name” my focus or objectives in life otherwise I find myself feeling a bit lost.

So, I’m doing it but I’m going to hard to stay away from overly quantitative goals and I also want to zero in on a few goals based simply on feeling joy:

  1. GARDENING: A ✨classic✨ middle aged hobby and goal but one that I’ve ebbed and flowed on since I was in my late 20s. When I was 28, I lived in an apartment on Kingsway that had a rooftop patio. It was an old 1980s building with careless landlords who did not mind the amount of stuff we piled on the tarmats up top. I grew honeysuckle, zucchini, tomato’s and beans. The beans failed to make an appearance that year but I did quite well with the other vegetables. Later, I moved to an apt with a smaller balcony and used hanging baskets to grow flowers and herbs. It was north facing so didn’t receive as much sun as I would have liked. But I still like to think I had the most colourful balcony on an alley-facing unit in East Vancouver. These past years, I’ve had more space to work with and I’ve motivated my partner to take an interest in growing things. So in addition to researching some shrubs, we will be growing a box garden with mainly food related plants. I cannot wait. I also have bulbs that I rush-buried in late November so I’m looking forward to them making their debut in a month or two.

  2. NON-SCREEN ACTIVITIES: Due to having a young kid during the COVID era, we have only recently emerged from our burrow and are slowly disconnecting from our movies/streaming/tablet use. I also use my tablet to draw and while i greatly enjoy it as a tool, i miss using real art supplies. I miss painting with brushes and paints and muddy water. I feel like this goal also captures a lot of things I’d like to do this year including: biking, lino-cut carving, beading, puzzles, going on hikes, tent-camping, reading, going to comedy shows, etc.

  3. MOVE IT: I would like to achieve a daily average of 10,000 which means more gym visits, more walks, more physical movement in general.

  4. HOSTING & BUILDING COMMUNITY: for the last few years, we’ve had one foot out of the door in regards to staying in Vancouver. But this past August we have decided we are staying put and will try and build a better social community. In my 30s, I was regularly hosting parties and gatherings. This includes karaoke nights, reality show watchings, macaroni and cheese buffet, potluck taco nights, Xmas gift exchanges, as well as countless other dinners and random get-togethers. Since we’ve moved to our current home, I haven’t really hosted get-togethers at all. I’ve been so busy with working to make extra money for childcare, in a very expensive city, and adjusting to life as a parent. But these days, I feel like I am ready to make more time for living life and putting more love and energy into friendships. I have a bit of hermit-anxiety from these last few years but I’m ready to dust it off.

Anyways, that’s pretty much what I’m going to aim for. Life starts to speed up as you get older. I am determined to slow things down as best as I can.

Tuesday 01.07.25
Posted by Karlene Harvey
 

Reflection | Orange Shirt Day Sept 30th

The big call to action that I think Orange Shirt Day deserves is the need for non-Indigenous people to show up for events and experiences that encourage learning and connection regarding the impact of residential schools.

Before September 30th became a statutory holiday, Indigenous people and allies showed their support, compassion and grief for residential school survivors by donning an orange shirt in the workplace, in the classroom, and in various public spaces — There was a feeling of solidarity and a commitment to change shared between diverse groups of people in these regulated spaces. It was an intentional visual disruption that happened simply by folks wearing highlighter orange in the familiar spaces we inhabit.

In some ways, the stat holiday has diluted the cause. It scatters people from places where they have increased influence of change (like classrooms or workplaces with people you are peers with). It allows the Prime Minister to go on a surfing holiday in Tofino. It allows people to opt-in or opt-out depending on their interest-level. Sometimes I wonder how the stat holiday has pacified a needed tension of representation regarding residential schools but also Indigenous injustice overall.

I think it’s crucial for non-Indigenous people to reflect on their involvement, or their ambivalence, regarding Orange Shirt Day. And I think it’s okay to feel uncomfortable about your positionality about it as a non-Indigenous person. That friction is so needed, it’s what the whole day is about. Overcoming those feelings to show up in whatever way you can.

As Patrick Wolf has said, settler-colonialism is a “structure not an event”. It is not a time, date or place you can memorize in a history book. No, it is a structure that wears many faces. Learning to recognize this structure allows people to call-it out when it appears in different places or as a twisted adaptation of its original format.

Orange Shirt Day isn’t simply an acknowledgment of residential schools as a historical passage of time. It directly relates to current issues such as the ongoing impacts on Indigenous child welfare in foster care systems; the ongoing violence and murders of MMIWG2S+; grief and trauma recovery; incarcerated survivors who require multi-faceted support; and, the need for harm reduction services and health care models for people coping with addictions. There is a need to recognize how residential schools is a formula that is being re-used and adapted to continue the harm and elimination of Indigenous people.

If settler-colonialism is a structure and not an event, then the question that I ask my non-Indigenous friends is: Are you living peacefully in that “house” today? Are you content under the roof of this structure?

Or are you part of the effort to deconstruct that house to build something else? Do you take the time to acknowledge that not everyone lives safely under that roof? And if so, what do you plan to do about it?

My deepest love for all of the lost children. For all survivors. Especially my mother, aunties, and uncles.

Tuesday 10.01.24
Posted by Karlene Harvey
 

August 2024 | Time Flies

It’s been a long time since I last posted an update!

This summer has been a whirlwind. I’ve had a great time playing rec fastball with the East Van Crows which is a team in Mabel League. I dusted off my cleats and cleaned the cobwebs off my glove and spent most weekends playing outfield, second base and pretending to bunt in order to get on base. I even landed myself in a hotbox between second and third during finals (don’t worry, y’all, the ump called me safe).

My family was also up in Tletinqox territory attending a culture camp in July. It was a really nice time visiting family and checking out the medicine garden that my cousin Trevor has been working on. I hope to get back home again soon. Additionally, there’s been a landslide that’s deeply impacted the river and the salmon returning so please send good thoughts to our salmon kin who are desperately trying to reach home to spawn.

I’m starting a new project with Groundwood Books! They are a joy to work with and I’m excited about where the illustrations are headed.

I’m starting a project with Orca Books, a book that I signed a contract for back in 2024. The author is just so incredible and it’s been so nice to connect via Instagram. We are both elated for how this project is going to shape up and I’m going to get to depict some coastal scenes which I’m really excited about.

I’m signing another contract with Orca Books for a project I won’t say too much about…although it’s an author who created a baby board book a few years back and I have lovingly read this story to my kiddo since she was born. So I’m excited about that project as well.

Chirp Magazine has invited me on for a few spot illustrations in their upcoming magazines which will be published in October, November and December.

Finally, I’m still working on a comic project for a grant that I received from First Peoples’ Culture Council. It’s a labour of love and I’m so excited to see how this story will be presented in pictures.

That’s all for now, take care!

Thursday 08.08.24
Posted by Karlene Harvey
 

Archives | illustrations from 2008

I came across these drawings that I made 16 years ago! Thought I’d share them here. The last image was published in One Cool Word magazine, a local magazine in Vancouver that no longer exists.

Friday 05.10.24
Posted by Karlene Harvey
 

Interviews | Artist Q&A’s

Thank you so much to Vancouver Magazine and to My Entertainment World for these recent interviews!

  • Vancouver Magazine: Karlene Harvey Celebrates Indigenous Joy in Their Brightly Illustrated Children’s Books

    https://www.vanmag.com/city/arts-and-culture/karlene-harvey-celebrates-indigenous-joy-in-their-brightly-illustrated-childrens-books/

  • My Entertainment World: Spotlight Series: Karlene Harvey

    https://www.myentertainmentworld.ca/2024/04/karlene-harvey/

It was really wonderful to talk about my artistic process and to share what my goals/intentions are with illustrating stories.

(Image: From Kaiah’s Garden)

Friday 04.12.24
Posted by Karlene Harvey
 

New Book | Kaiah’s Garden

Exciting news! Kaiah’s Garden is officially released by Scholastic this month! I put so much love and care into this beautiful story about honouring the memory of our family members through beadwork and growth. I cannot wait for people to see it! Click here to learn more.

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Friday 01.05.24
Posted by Karlene Harvey
 

Update | graphic novel project

I am so pleased to be a recipient of a grant that will allow me to work on a graphic novel project based on Tsilhqot’in identity, family healing, and basket weaving.

Short Description:

The objective of my project is to produce a graphic novel based on a story of a Tsilhqot'in youth learning their ties to culture and language. The exploration of their identity allows them to understand that who they are is tethered to their family and their ancestors, they are woven into the fabric of the Tsilhqot'in community and therefore, their existence is empowered and made stronger by the connections they maintain with family, kin and fellow community members. 

I wanted to share some recent research and reading that I’ve been doing for my project.

Overview:

I’ve selected a few articles that allow me to refresh my knowledge on comic basics. Years ago, I was well read on theoretical works relating to comics but it’s been a while and I felt it was needed to read up on some aspects of creating a compelling comic narrative. I also looked into some works relating to autobiography, because even though the work that I produce will be fictional, there will be elements of my life (or my family’s lives) woven into the narrative. A lot of works relating to BIPOC creators of comics or autobiographical stories discuss the nature of trauma appearing in their narratives and I am reading about it to be self aware of current themes that exist. But I also want to strategically ensure my story focuses on joy and resurgence because sometimes I think Indigenous trauma is a highly consumed (preferred?) narrative by non-Indigenous readers and audiences which is super problematic. When reviewing my original research scan, I specifically sought out articles that talked about joy and resurgence. These works are new to me (and extend beyond works written by Lisa Betasamoke Simpson, Sarah Hunt, and Eve Tuck which I read frequently during my Master’s) so I’m really excited to get into that.

For comics, I do have a lot of existing books that I will reference but I thought I would add a few more recent ones. I read Ducks by Kate Beaton in November and it reminded me of my love for web comics in the late 2000s. There was a number of artists/writers who were able to convey complex themes through simple drawings and whatnot. Due to the time constraint of this project, I imagine I will approach this project in a similar way. I don’t think this diminishes that final work, instead it offers an approachability to the subject matter. It will also help me from becoming too much of a perfectionist which has caused me to not begin graphic novel projects in the past because they feel too overwhelming.

I’m already very excited about this project and I’m feeling really motivated for the story writing phase of this project. I’ll post another update in the Spring!

Theoretical Works:

Baetens, J., & Frey, H. (2014). Understanding Panel and Page Layouts. The Graphic Novel: An Introduction. Cambridge: Cambridge University Press. (103-133).

Baetens, J., & Frey, H. (2014). The Graphic Novel as a Specific Form of Storytelling. The Graphic Novel: An Introduction. Cambridge: Cambridge University Press. (162-187).

Boon, S. (2023). The Routledge introduction to auto/biography in Canada. Routledge.

Knowles, S. (n.d.). The Postcolonial Graphic Novel and Trauma: From Maus to Malta. In A. Ward (Ed.), Postcolonial Traumas : Memory, Narrative, Resistance (2015, pp. 83–96).

Marshall, Emily Zobel. Harlem Tricksters: Cheating the Cycle of Trauma in the Fiction of Ralph Ellison and Nella Larsen. In A. Ward (Ed.), Postcolonial Traumas : Memory, Narrative, Resistance (pp. 83–96).

Reder, D. (2022). Autobiography as Indigenous intellectual tradition: Cree and Métis âcimisowina. Wilfrid Laurier University Press. 

To Read:

Callison, C., Rifkind, C., Sinclair, N. J., Ballantyne, S., Odjick, J., Daigneault, T., & Mazowita, A. (2019). Introduction: 'indigenous comics and graphic novels: An annotated bibliography'. Jeunesse, Young People, Texts, Cultures, 11(1), 139-155

Emberley, Julia V. Part 1: ‘A Witnessing Love’: Testimony in Indigenous Storytelling. The Testimonial Uncanny : Indigenous Storytelling, Knowledge, and Reparative Practices, State University of New York Press, 2014.

Hatfield, C. (2005). A Broader Canvas: Gilbert Hernandez’s Heartbreak Soup. Alternative comics : an emerging literature. University Press of Mississippi.

Hatfield, C. (2005). “I Made That Whole Thing Up!” The problem of authenticity in Autobiographical Comics. Alternative comics : an emerging literature. University Press of Mississippi.

Henzi, S. (2016). “A necessary antidote”: Graphic novels, comics, and indigenous writing. Canadian Review of Comparative Literature, 43(1), 23-38.

McCall, S. (2022). Teaching indigenous graphic novels: English / indigenous studies 360. Studies in American Indian Literatures, 34(1), 92-111.

Romero-Jódar, A. (2017). The Trauma Graphic Novel. Routledge.

Sidogi, P. (2021). Multi-histories: Creative and narrative plurality in graphic novels exploring indigenous histories. Junctures : The Journal for Thematic Dialogue, (22), 69-79. https://doi.org/10.34074/junc.22069

Graphic Novels:

Akiwenzie-Damm, K., Assu, S., Mitchell, B., Qitsualik-Tinsley, R., Qitsualik-Tinsley, S., Robertson, D. A., Sinclair, N. J., Van, C. R., & Vermette, K. (2019). This place : 150 years retold. Portage & Main Press.

Beaton, K. (2022). Ducks : Two years in the oil sands. Drawn & Quarterly.

Spillett-Sumner, T., Donovan, N., & ProQuest (Firm). (2018). Surviving the city. HighWater Press.

Tamaki, Mariko and Jillian (2023). Roaming. Drawn & Quarterly.

The following image is from Kate Beaton’s Ducks.

Monday 01.01.24
Posted by Karlene Harvey
 

Article: Indigenous artist teams with Orange Shirt Day founder for new children’s book

Illustrator Karlene Harvey and author and founder of Orange Shirt Society Phyllis Webstad both have voices you could imagine quietly reading a child a bedtime story.

Harvey has a sweet, kind voice over the phone, while Webstad’s soft-spoken manner sounds wise and gentle.

It seems appropriate they both sound so well-suited to reading children’s stories, because the two women worked together to create a new children’s book titled Every Child Matters.

Read the full article
Monday 10.16.23
Posted by Karlene Harvey
 

UBC Arts: Staff Feature

Read the full article
Tuesday 09.19.23
Posted by Karlene Harvey
 

New Book | Maggie Lou, Firefox

I was so delighted to receive a shipment of Maggie Lou, Firefox! This wonderful story is about a tenacious, persistent and rebellious young kid named Maggie Lou. I absolutely love this character and it was such a pleasure to bring her spirit to life. Find this youth reader at your local bookstore or library!

Special thanks to Groundwood books for inviting me to be a part of it.

Tuesday 09.05.23
Posted by Karlene Harvey
 

New Book | Every Child Matters

Hi folks! Every Child Matters is a book that I illustrated and it’s available for purchase! Check out your local publisher to order a copy or buy it directly from the Medicine Wheel Publishing website.

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Thursday 08.17.23
Posted by Karlene Harvey
 

August: Family Times

During the last week of July, we hit the road to visit family! We loaded up our tiny hatchback and headed to the interior. It was a blur of a week but it was so great to see Izzy visit with her cousins. Until next time…

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Tuesday 08.01.23
Posted by Karlene Harvey
 

Summer 2023: Mosswood Meltdown

At the end of June, I flew to Oakland, California for the Mosswood Meltdown music festival hosted by John Waters. It was a whirlwind trip and the first time that I’ve flown out of the country in years! I met up with my friend Heather and her coworkers at Vancouver’s Happy Cat store.

This festival had the band Le Tigre headlining, a band that I absolutely loved as as a teenager. The lineup included Bratmobile (reunion show!) and Gravy Train!!! Plus a number of other bands that I wasn’t totally familiar with. It felt like a blast from the past, listening to songs that I used to play in my car while driving around as a teenager.

The festival was outdoors and was a lot bigger than I thought it would be! There were two stages, one main stage and a smaller one nearby that had a concrete amphitheater set up, which helped ensure that everyone standing in the crowd had a great vantage point. The first thing I noticed when arriving at the festival was how everyone was dressed incredibly fashionable. It made my heart sing! Fluorescent yellow hair, Bettie Paige bangs and angular bob cuts; doc marten boots, pastel sneakers, platform sandals; pencil skirts paired with band tees, wild, patterned dresses, glittery and iridescent accessories; bright red lipstick, winged eyeliner, gemstones dotting foreheads and cheeks, bright eyeshadow; tattooed legs and arms, pierced lips and noses. I wanted to take photos of everyone that I saw to use as references for my drawings!

I also saw so many people dressed the way that I used to as a 20-year old. There was a particular riot grrrl style that I loved which paired 1950s-60s silhouettes with a punk aesthetic. Ringer tees with pearl buttoned cardigans adorned with one inch buttons that hinted at indie bands or subculture slogans. Fishnets under shorts or miniskirts, mod A-line dresses and bee hive hair-dos. Red lipstick that screamed a signal for feminist rhetoric. I became so nostalgic while walking through the crowd.

The festival happened over two days total and it was bright and sunny and hot for the entire weekend. We found shady spots throughout the day and were happy to nurse a beer while watching the stage from afar. In my 20s, I would have been bruising my knees and shins from standing against the gate that held the crowd back from the stage.

By the end of the festival, I was spent and it felt good to go home. But I definitely will consider coming back to this festival in the future, maybe not next year but soon. And I will absolutely be there if Beth Ditto decides to perform there with the Gossip.

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Friday 07.07.23
Posted by Karlene Harvey
 

May Flowers: VANCAF

Earlier this Sunday, I spoke on an artists’ panel at VANCAF! It’s been a year since I contributed work to Salmon Run and Cole Pauls facilitated a chat with a number of us. It was such a pleasure to see some of the other artists again and to be able to chat with some folks that really loved the anthology.

I really love how Cole decided to print it as a newspaper. And that it was free. It makes the distribution of it feel so wonderful and joyful and exciting. It reminds me of how print media used to be circulated in the 90s and 2000s.

I had a few people ask me about my work and it is so rare where I get to meet people. One was a younger kid with her parents and that felt truly special to me. I let them know to check my website for updates on my upcoming publications and if they happen to read this post, please know y’all made my day. Sechanalyagh (thank you).

I’m also deeply appreciative of my friend Maritza coming to the talk and asking such a great question to all of the artists. She is an incredible 3-D sculpture artist and she talks a lot about Indigenous artistry in her field. I think it’s an important conversation and it’s such a pleasure to take time to examine the intersections of Indigenous artists working in similar but very unique creative environments.

Anyways, I’m very thankful for where my illustration career has taken me. I’ve been working quite hard to break into children’s book publishing and I believe that I’ve been quite successful with getting my name out there. And I also believe it’s the right time in my life to be able to take on this work. I have been reflecting a lot on how life takes you certain places, it’s partially based on your work ethic but at a certain point it’s also based on reputation and the good energy you put into the world.

Just a wonderful reminder to always work on your creative passions. Keep trying harder, don’t give up, just make things you love and keep at it even when it gets hard. The practice of creative expression isn’t always easy but if you keep at it, you see growth.

Keep gardening and growing, friends.

tags: karlene harvey, karleneharvey, illustrator
Sunday 05.21.23
Posted by Karlene Harvey
 

April: When it pours

There was the time I was walking down 1st ave between Commercial Drive and Clark street and the leaves were falling. They gleamed like tattered gold foil against the blue grey sky. It was mid October.

1st ave is a commuter street. A passage from the highway to downtown. It is noisy and busy and all of the cars drive too fast.

My friend used to live in a walk up apartment that faced 1st ave. Rooms joined in a circle. Living room to bedroom to kitchen. I went over to feed her cat once and we sat on her couch and watched a movie. It was raining that day and the movie was sad. The continuous hum of traffic permeated every quiet scene, every pause and glance.

When I first met my partner, we once heard a dog barking but it sounded like a chicken. I made fake posters that asked “Has Anyone Seen Dog-Chicken?”. There were pull-tabs on the bottom of the poster that would normally share a phone number or email. Instead, you could pull a small drawing of dog-chicken. I remember taping a poster along the bike path that crossed 1st ave. Out of all of the posters I created, this one was the most popular. All of the tabs were gone within two days.

Once we went to a Halloween house party along 1st ave, it was at someone’s house we didn’t know. Everyone in the backyard was quietly sipped beer, a vampire talked to a hamburgler who was looking at their phone. A couple of power rangers smoked cigarettes near the alley. We walked up the wooden stairwell to the third floor and started dancing in an empty living room. The room slowly filled with people until there was almost no where to stand. My partner boosted me on to the mantle of the fireplace and I held the ceiling for balance, laughing hysterically. I was a ghost in a bedsheet. I wasn’t wearing socks.

On that day in mid-October, I remember thinking how beautiful those leaves were. It was the kind of moment that they try to recreate in movies, that animators spend hundreds of hours trying to capture. A photo couldn’t replicate the wind that looped its way around every limb and branch.

My friend moved out of the city and the apartment she lived in burned down a handful of months later. The lot sat empty for a while but it eventually sold. It will be a duplex in a year from now.

My bike is creaky and needs some oil. Dust has gathered on its seat. Cobwebs stretch between each spoke.

I don’t hear about Halloween house parties anymore. The last one I went to was years ago and everyone was high on coke. I retreated to the kitchen and had a funny conversation with someone who talked too fast.

Everything changes and that’s fine. But sometimes I’m on the look out for those beautiful little moments. The ones I can accidentally drive by while tuning out to a podcast. The scenes I miss while scrolling on my phone during transit. The leaves falling like golden confetti while I stay inside all day instead.

Sunday 04.23.23
Posted by Karlene Harvey
 
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